I kinda specialize in a combo of digital cinema and doc work. Lots of it is very quick turnaround. Trying to squeeze in as much magic as possible in a few days of shooting and even less time in post. Quite often I hear people jabba jaw about RED workflow, how it's tough and so on and so forth. I say - There is a pretty reasonable chance you're doing it wrong. Here are some BTS shots of a little project we worked on a couple weeks ago. 2 RED Scarlets, a Phantom Miro, a Cable Cam, 2 aerial cams and 6 GoPro's shot across 2 days during an active race test. 3 shooters including me and one assistant....